rheiFilm production software by studio rhei

Dynamic order for your film production company.

We want to revolutionise independent filmmaking. Script, schedule, budget, costs and team in one interactive system. Everyone who makes the film works from the same picture, from the writers’ room to the bank.

rhei is in a closed beta: for now it can only be used by invitation. Request an invitation

The shooting schedule in rhei: shooting days with scene strips

01

In control. Free to create.

Budget, costs, cash flow and contracts follow every change on set. The numbers stay in order, so the work can stay open.

02

One tool, not five.

No separate licences for script, scheduling, budgeting, contracts and chat. One subscription, one login, one place to look.

03

One ecosystem. Everything connected.

A film is made of many processes. When they live in one place, working together gets easier: no interfaces to maintain, no compatibility problems, lower costs. Change a scene, and breakdown, schedule, call sheet and budget follow.

04

A healthy way to work.

Rest periods, union minimums, clear roles and fair access to information: rhei points out what wears people down before it happens. Good films come from teams that are not running on empty.

Features of rhei

Everything a production needs.

Every area of a production, for film and series. All of it in one place, all of it working together.

Development

  • Screenplay editor in industry format
  • Import from Final Draft, Fountain and PDF
  • Revisions with colours and locked scene numbers
  • Breakdown by category, breakdown sheets

Money

  • Budget in the official German scheme, with union rates
  • Department budgets, approved line by line
  • Financing plan with instalments and conditions
  • Funding applications with checklists per programme
  • Cost report, purchase orders with sign-off, weekly cash flow

Prep and shoot

  • Stripboard with schedule versions to compare
  • Day out of days, blocked dates, warnings
  • Cast and crew with deals, 23 contract templates
  • Call sheet, production report, hot costs

Post

  • Post schedule counted back from delivery
  • VFX, sound, music cue sheet, grading
  • End credits laid out like in the cinema
  • Delivery and QC lists

Release and archive

  • Final accounts for every funder
  • Festivals, release, sales and revenues
  • Recoupment of conditional loans
  • Chain of title and retention periods

Company

  • One contact file and location library for all projects
  • Calendar with subscription, channels for the team
  • Cash flow across all projects, banks, insurance
  • Roles and rights per project and area

Move a scene. Everything follows.

Drag a strip to another day. The day warns when it runs long, the call sheet already lists the scene, and the cast days are recounted.

Write a new part. Breakdown and cast pick it up.
Book an invoice. The cost report follows.

Every department’s budget. One clear answer.

Heads of department write their budget in rhei and hand it in. The production manager approves, adjusts or rejects each line and sends it back with a reason. What is approved goes straight into the budget.

Line by line.

Approve a line, propose a lower rate, reject what is in the budget twice, or ask about a quote. Each decision sits on its line.

Always with a reason.

A budget only goes back with a note on what has to change. The department answers on the line, takes over a proposal with one click and submits again.

Straight into the budget.

Approved lines land under their account in the main budget. Later changes run as a new round, and nothing is typed twice.

Department budgets in rhei: waiting for approval, returned with notes and approved, each against its frame
Every department at a glance: frame, requested, approved.
A department budget as PDF: every line with the decision of the production, notes and answers, the history of the rounds
Hand it in or file it: as PDF and Excel, ready to sign.

Always know where you stand.

Booked, committed, expected. Every invoice and purchase order lands against the budget line it belongs to, with a second sign-off where it matters.

Cost report in rhei: budget, booked, committed and forecast by cost block

Write once. It flows.

Pick a change that happens every day in a production and see what follows by itself.

  1. 1

    Script. Save the new draft. Scene numbers stay locked, the revision gets its colour.

  2. 2

    Breakdown. New characters and sets are picked up, page lengths recounted.

  3. 3

    Schedule. The strip is longer now; the day warns when it runs over.

  4. 4

    Call sheet. The next call sheet lists the new character.

  5. 5

    Budget. One click updates the linked lines: cast days, extras, props.

5 areas, one change, nothing typed twice.

Everything exists once.

A person, a location, a scene, a budget line: one record that every area points to. Change a phone number once and every list and call sheet has it.

Changes travel.

Work in one area and the others follow, live. No exports between tools, no copying the schedule into the budget.

From first draft to archive.

Not just scheduling or budgeting: development, funding, shoot, post, release and the final accounts, in one connected system.

Most productions still run on a script app, a scheduling tool, a budget spreadsheet, a chat and a folder of e-mails. Every handover is an export, every change is typed again. rhei is built the other way round.

Pricing for rhei

One price per company. The crew is always free.

No seats, no add-ons, no price per crew member. Everyone who gets a call sheet, a schedule or a contract from rhei uses it for free. You pay for your company, by what it needs.

These plans are for rhei, our production software. aoidos, the screenwriting software, will have its own plans.

Campus

For students of film schools. Free while you study.

0 €while you study

With proof of enrolment

  • Everything in Indie
  • For student films, non-commercial
  • Proof of enrolment once a year

Indie

For freelancers, short films and small productions.

19 €per month

plus VAT, or 190 € a year (two months free)

  • Script, breakdown, schedule, call sheets, production reports
  • Budget with union rates, financing plan, funding applications
  • Cast, crew, extras, contracts and documents
  • Post-production and festivals
  • Contacts, locations, calendar, channels
  • Up to 3 active projects
  • Team, crew and guests free

Company

For companies

For production companies that run several films at once.

79 €per month

plus VAT, or 790 € a year (two months free)

  • Everything in Indie
  • Controlling: cost report, purchase orders with sign-off
  • Department budgets, approved line by line
  • Production office: vehicles, sign-outs, damage, green shooting
  • Cash flow across all projects, banks and insurance
  • Post-production department for the whole company
  • Final accounts for every funder, archive and chain of title
  • Unlimited projects

Try Company free for 14 days, no card needed. Cancel any month. Without a plan, rhei stays readable and every export keeps working: your data is never held back.Plans open with the public launch. During the private beta, rhei is free by invitation.

Coming soonby studio rhei

aoidos, for the writers.

The writing room of rhei as software of its own: dictation that knows the format, a table read with a voice for every character, and drafts and notes that go straight from the writer to the production and back. No generated text: every word comes from the writer.

Discover aoidos

Analog techies

We love film on film, real locations and people in one room.

Technology has always been part of filmmaking, from the first camera to the cutting room. The question is never whether it is good or bad, but what it does and who it serves. We use it where it really helps and leave the rest to people, because some things are irreplaceable in real life. rhei takes care of the paperwork, so there is more time on set, whether you shoot on 35 mm or on a phone.

Art and entertainment

We love art, love entertainment, we love entertaining art and artistic entertainment.

We don't think the two exclude each other. rhei is made for both: the arthouse debut and the series, the documentary and the commercial, the festival film and the one that fills cinemas.

For the independents

Built for small companies first.

One-person companies and small independent producers carry the same paperwork as the big studios, with a fraction of the staff. rhei is priced so they can afford it (19 € a month), and it grows with them. Larger companies are just as welcome.

Film schools: students work for free with Campus. Schools that want rhei for a whole programme can write to us.

studio rhei

Films and film software, made in Berlin by filmmakers and software engineers.

We are a small collective. We build the tools we want to work with ourselves, and we make films. rhei is the first software from studio rhei. The next one, aoidos, is for writers.

About studio rhei
  • Made in Berlin.By people who produce films themselves.
  • Speaks the trade.German budget scheme, union rates, funders and broadcasters built in.
  • Clear lines to partners.Funding applications, financing plan, insurance and reports in one place, for funders, broadcasters, investors and banks.
  • Your data stays yours.Rights per project and department, stored in the EU.

More time for the film.

rhei is in a closed beta and open by invitation only. Request an invitation. Production companies can also apply for the Founding Tester programme.

rhei · Dynamic order for your film production company